Edited by Neil Smith
This piece features an interesting mixture of chord textures for the less advanced player. Although quite regular bass lines are in use, the upper voicing produces a variety of 7th chords together with an unusual flavour in the dissonances. Technically, I use finger 1 in bar 13 for the C and finger 2 for bass F. This connects the figuration across bars 12-14.
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This music supplement was originally printed in the January 1991 issue of Classical Guitar.